October 6th 2013

Danny Elfman concerts - first rehearsal
Yesterday Harry and I went up to Maida Vale studios for the first rehearsal of the music for the Danny Elfman concerts next week. What a great day. It was my first visit to these BBC studios - Harry has been there once before for an audition - and we arrived to see a massive white pantechnicon, with 'BBC Concert Orchestra' written on its side, parked outside unloading instruments. The building itself is a rather unprepossessing single storey windowless white block extending along quite a length of one side of a wide road opposite a row of well-presented Victorian semi-detached houses. Its entrance is equally understated consisting of a relatively unadorned archway on either side of which is a small plaque inscribed with 'The British Broadcasting Corporation'. The building has an interesting history in that it was originally the home, in 1909, of the Maida Vale Roller Skating Palace and Club which could seat 2,650 people and had its own orchestral balcony; it lasted as a Roller Skating Palace for three months! The BBC acquired, and refurbished, the building in the 1930s.
Harry and I collected our visitor's passes from reception and were then directed downstairs into a rabbit warren of basement passages past Studio One, where the Concert Orchestra were setting up, to Studio Two where the singing rehearsals were to take place. There we met Christopher Dee, director of the Maida Vale Singers, who auditioned Harry for these performances about ten days ago, and he introduced us to Mark Mann who had come over from America to oversee this first day. Mark has worked with Danny Elfman for the past twenty years or so and orchestrates his music. He is a delightful, charming man who put Harry at his ease immediately and prompted several rounds of applause for him from the adult singers during the course of the day, which enamoured him to me even more.
It was fascinating for me to see the rehearsals. I was particularly struck by the wonderful air of informality and professionalism throughout the day. It was clear that everyone was confident in their own, and their colleagues, ability to produce a wonderful sound and produce it, they did. I was astonished to hear that none of the singers had seen the musical score before as they sang, to my untutored ear, almost flawlessly from the start even when performing tricky Gilbert and Sullivan-like pieces. Harry was equally brilliant.
Mary has accompanied Harry to the studios today for a full rehearsal with the BBC Concert Orchestra and I have received several texts with exciting snippets of information including 'being miked up for sound' and 'Helena Bonham-Carter has just arrived'! The first performance tomorrow at the Royal Albert Hall promises to be a fantastic event.
Chris Dee Tweeted about Harry yesterday to say that he had become the youngest member of the Maida Vale singers and I have included a screenshot of this amongst today's photos.
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